Description
In fact, Herbert argues, the exhibitions developed a particular sense of French national identity – one that, in managing to be at the same moment both inwardly focused and beneficently expansive, would present a vivid contrast to the growing German nationalism of the Third Reich. His epilogue takes a final look at these issues from the perspective of Jean Cocteau’s 1950 film Orphee.
- Author: James D. Herbert
- Publisher: Cornell University Press
- Published: 1998
- Pages: 236
- ISBN-13: 9780801434945
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